A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Stanley Kubrick had initially been planning to make a film about Napoléon Bonaparte. As per his usual method, he and his team did years of meticulous research into the subject and the era (Kubrick himself had reportedly read a few hundred books on Napoleon), so much that during the lengthy pre-production period, the similarly-themed Waterloo (1970) had also started development. Kubrick was forced to abandon his Napoleon film when the studio chose to back out of the project, allegedly due to budget issues (contrary to popular believe, the commercial failure of Waterloo had nothing to do with this decision, as Kubrick and the studio had already parted ways even before Waterloo went in production). Kubrick decided to make A Clockwork Orange (1971) instead, but continued his search for a story set in the 18th century afterwards, as it would allow him to use the copious period research done for his canceled Napoleon project. After considering and rejecting several of them, his eye finally fell on the story of Barry Lyndon by William Makepeace Thackeray. See more »
When Barry disguises himself as Lt. Fakenham and crosses to Prussian lines, he rides wearing riding boots; in subsequent scenes, with the woman farmer and Potzdorf, he wears infantry gaiters. See more »
[two figures visible on the horizon prepare to duel. Three witnesses stand between them]
Gentlemen, cock your pistols! Gentlemen...
...aim your pistols!
...had been bred, like many other young sons of a genteel family, to the profession of the law.
And there is no doubt he would've...
...made an eminent figure in his profession...
[...] See more »
In the midst of the many wonderful films made by Stanley Kubrick, it is strange to note how rarely people mention "Barry Lyndon".
The film portrays an unusual young Irish man, Redmond Barry, and his endeavours as he is forced to leave his home and tries to make good his life elsewhere. His life away from home starts out as a career in the British Army; only to evolve in surprising ways and lead to as different places as a position of trust within the Prussian Army and later a title of nobility, gained by what our time can only measure as rather disgraceful means.
Some consider Barry Lyndon a slow and tedious film and it is in deed past three hours in length, but this is because of the artistic flow of a film that strays not only to tell a tale about a man who is by no means neither hero nor villain, but also a film which is in no hurry and takes the time for every detail to sink into the mind and heart of the viewer. Some of the scenic images in "Barry Lyndon" are in themselves pieces of art, rendered with a passion for the landscapes and the man-made structures within them.
The myth that all scenes were recorded using no artificial lighting no doubt stems from the very realistic lights during indoor takes, and some of them truly did not feature artificial light. This is but one of the many details that so easily conveys a sense of a realistic portray of the era; the 18th century and the time after the seven-year war in the later half of the century. The impressive atmosphere and the wonderfully picturesque scenarios along with the fact that the entire plot moves at a calm pace makes this film a very pleasant experience.
"Barry Lyndon is", amidst Kubricks' many masterpieces, a film so easily dismissed due to length and the fact that it is overshadowed by others, but I deeply recommend this film to anyone who would like to see a film both for the plot line, the story and the pure enjoyment of the images presented. Stanley Kubrick made many great films and this one is most definitely one of them! KimotoCat
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