8.3/10
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266 user 124 critic

The Sting (1973)

Two grifters team up to pull off the ultimate con.

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Writer:

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Top Rated Movies #95 | Won 7 Oscars. Another 10 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
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John Heffernan ...
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Jack Kehoe ...
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Luther Coleman (as Robertearl Jones)
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Mottola (as James J. Sloyan)
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Lee Paul ...
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Storyline

Johnny Hooker, a small time grifter, unknowingly steals from Doyle Lonnegan, a big time crime boss, when he pulls a standard street con. Lonnegan demands satisfaction for the insult. After his partner, Luther, is killed, Hooker flees, and seeks the help of Henry Gondorff, one of Luther's contacts, who is a master of the long con. Hooker wants to use Gondorff's expertise to take Lonnegan for an enormous sum of money to even the score, since he admits he "doesn't know enough about killing to kill him." They devise a complicated scheme and amass a talented group of other con artists who want their share of the reparations. The stakes are high in this game, and our heroes must not only deal with Lonnegan's murderous tendencies, but also other side players who want a piece of the action. To win, Hooker and Gondorff will need all their skills...and a fair amount of confidence. Written by headlessannie

Plot Summary | Plot Synopsis

Taglines:

Recapture "the STING Experience". REMEMBER HOW GOOD THE FEEL WAS THE FIRST TIME (re-release) See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1973 (USA)  »

Also Known As:

Der Clou  »

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Box Office

Budget:

$5,500,000 (estimated)

Gross USA:

$159,600,000
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In her 1991 memoir You'll Never Eat Lunch in This Town Again, Julia Phillips said that the one thing she learned while making the film was to make sure she always negotiated the width as well as the height of the letters of her name in movie credits. When it came out, she said, "everyone's name is in thick black letters but ours, which are willow thin." See more »

Goofs

Regarding the money that Hooker and Luther switch away from Motola. When Hooker goes to open the envelope in the alley, it is not sealed. It was sealed by Granger in the office before being given to Motola. See more »

Quotes

Doyle Lonnegan: [losing his temper with Henry] The name's Lonnegan! Doyle Lonnegan! You're gonna remember that name or you're gonna get yourself a new game! You follow?
See more »

Crazy Credits

The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »

Connections

Referenced in Snatch (2000) See more »

Soundtracks

The Entertainer
(1902) (uncredited)
Written by Scott Joplin
Conducted and Adapted by Marvin Hamlisch
See more »

Frequently Asked Questions

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User Reviews

Classy bit of story telling
23 March 2003 | by See all my reviews

Small time conmen Johnny Hooker and Luther Coleman unwittingly scam a runner for Chicago main man Doyle Lonnegan. When Luther is murdered, Hooker goes on the run and seeks out Luther's old friend Henry Gondorff to help him put together a major sting to take revenge on Lonnegan. However with so much heat on Hooker and the stakes so high can they pull it off and get away clean?

Almost a follow up to Butch and Sundance, this film partners the stars of the day Newman and Redford to good effect. The story is a little less fun but still very enjoyable to watch as it builds to a great finale. The use of chapters ran the risk of fragmenting the film into bits but instead it really helps set it out and makes it more manageable. Although it is not as light hearted and jovial as the theme music suggests it still manages to flow nicely with the slightly darker drama not spoiling anything but only serving to make it feel more grown up.

The cast are all very good and make the film easy to watch. Redford comes off the best in terms of characters and his role really suits both his carefree attitude (the start of the film) but also his more serious side (the rest of the film). Newman has a lesser role that perhaps doesn't suit him quite as well, but he does have several really good scenes (the hustles) where he does very good work. Shaw's accent is a little heavy at first but I got used to it and it worked for me and he was a really good foil for Redford/Newman. The support cast including Durning, Walston, Gould, Jones and others all do good work.

The direction and use of music is really good and the sense of period is well crafted and doesn't just feel like it was painted on. I'm not sure if it deserved Best Picture or not because I don't know what the rest of the field was for that year but it is a really enjoyable film that is quite fun to watch several times even 30 years later – and isn't that the main thing?


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